English
Cristian Movilă: UNFINISHED isn’t just about what we want to learn. It’s about who we want to become, and the fact that we’ll never be „done.” And that’s a good thing
Emilie Blichfeldt: There is only one Cinderella. The rest of us, struggling to fit the shoe, are stepsisters
Florian Bachmeier: What’s important to me now is to document the fragility of things we once took for granted — home, truth, childhood
Prins de Vos: I fully acknowledge the power photography holds. It’s a powerful medium to shed light on issues and make the invisible visible
Rafael Heygster: I hope that through my work, I can help open spaces where, as the democratic part of society, we can discuss and reflect on how to deal with the rise of the right
Loïc Meuley: French cinema excels in addressing complex themes like identity, resilience, and social transformation with nuance and depth
Cases from 22 Ukrainian creative agencies spotlighted in the latest issue of international digest CrUAtivity
Innovative artist Ioana Mischie receives three top awards in European XR, adding Romania on the global map of transmedia art
For the love of Creativity: Romanian Young Lions 2025. Empowered by Raiffeisen Bank Romania and Ursus Breweries
Clémentine Segard: I don't think that brands need to speak necessarily to everyone. They need to unite around communities that recognize itself in the values that they carry
Dima Kashtalyan: I am deeply interested in the future. I worry that the old systems of interaction between countries and people have become outdated and stagnant
Sam van Zoest & Sarah van Ierlant: It’s encouraging to see that, even amid social and political crises, there are always groups or individuals who choose to do the right thing
Karen Stone: Organisations don’t transform, people do and people run on habits. So we need to know how to update our habits
Andy Budd: While these AI-driven tools can be incredibly powerful, they also run the risk of leading us into narrow avenues of thinking
The art of being and understanding limits at Sauna Fest. Lisa Kricfalusi & Nick McNaught: Humans tend to operate on a very fear-based, survival-based level. We teach people how to operate on a curiosity level
Daniel Jones: Write about what you want to discover about where you're from or who you are. But you want to write with curiosity, not knowledge
Cases from 28 Ukrainian creative agencies featured in the new edition of the international digest CrUAtivity
Novomyr Logvin: I get ideas by looking at different interesting things and then dreaming about how I can translate them into jewelry
Ben Okri: Poetry requires the strategy of a warrior. For poetry is also warfare. It is the warfare of beauty and truth
Peter Conrads: The purpose is to feed the soul, to cultivate your inner gardens, to find your inner self and to have fun
Marko Brajovic: We need to enlarge our perception, solidarity and finally design spaces for other species
Bruno da Rocha: My love affair with jewelry has not changed over the decades, and I feel lucky that I’m still inspired to make jewels
Khatuna Khundadze: I love good cinema and it doesn't matter whether it was a woman or a man who made the film. But I'm still happy when I find out at the end that the filmmaker was a woman
Barbara Soalheiro: I’m usually looking for the essential and truthful. Sometimes that leads us to building an entire gym facility in 5 days. Or reproducing a rainbow artificially onto a landscape
Lior Steinberg: We built our cities around the car, and now it’s very difficult to reverse the trend. This is probably the biggest challenge in creating greener, more livable cities
Ludmila Cvikova: We try to make a combination of films that would reflect on what’s going on in the contemporary world, what worries or interests people, what connects us as human beings
Thomas Kolster: When every brand is pitching itself as Mother Teresa or Gandhi, who can be believed?
Ana Pinhal: I can heal some of my wounds while I'm singing. By the interpretation and music, I can put myself in another body and emotions, just like an actress
Michael Bird: We made “Bears Uncovered” to get as close as possible to the truth. We didn’t make this film to be liked, and we succeeded






























