English
Susan Credle: Brands have to get back to being disciplined and standing for something that's authentic
Antonio Pisani: The flood of images isn’t the issue — emptiness is. Photography should create meaning, not add to the noise
Jörg Riommi & Ruxandra Papuc: We need to avoid an “anything works” and a “whatever” ethics. Quality is still always crucial and makes the difference
Deidré Matthee: My experience as a migrant often feels like a condition of continuous and deferred arrival: I have arrived, but have I arrived? And where now, and where next?
Grift: People are constantly tempted, as they always have been, and it seems no easier now to find a balanced path
Toomas Järvet: With fake imagery and AI spreading more and more, real stories about real people in the real world become more important than ever
Antal Zilahi: I spent several years learning mirror-making. When I finally managed to produce a flawless mirror, I realized I found it boring — the imperfect pieces were far more expressive and interesting
Dean C.K. Cox: It’s okay to be a journalist with empathy. And that documenting truth is not just a job — it’s a human responsibility
Tobi Ibitoye: Music is as practical as science, while more spiritual than religion. At least this is how I’m experiencing it
Dunja Delić: Marketing will become more predictive, more embedded, and increasingly invisible. You won’t “see” the marketing, but you’ll feel its presence in every touchpoint
Gabi Drzewiecka: I think the predictions have been haunting all of us for years and yet radio and TV are in a pretty good shape
Sigal Abudy: The AI revolution that entered our lives requires us to develop additional skills: beyond being creatives – we must become navigators
Tim Smith: I’ve documented children becoming adults, families forming, graduations, weddings, funerals, even shifts in style and technology within the colonies. That’s the gift of time
Mircea Sorin Albuțiu: Eight days of filming in Ukraine in 2022 took me through every possible emotional state; I can hardly describe it
MINIO Studio Named Wendy’s Strategic Creative Agency in Romania: Crafting a Global Brand while Embracing Local Culture in Romania
Sumit Bothra: As long as we protect original human creativity, and make a distinction between what is human-made vs machine-made, I see no reason to be fearful
Sam Lee: People don’t have much time. So you have to get in front of them where they are, instead of hoping that they come to you
Cristian Movilă: UNFINISHED isn’t just about what we want to learn. It’s about who we want to become, and the fact that we’ll never be „done.” And that’s a good thing
Emilie Blichfeldt: There is only one Cinderella. The rest of us, struggling to fit the shoe, are stepsisters
Florian Bachmeier: What’s important to me now is to document the fragility of things we once took for granted — home, truth, childhood
Prins de Vos: I fully acknowledge the power photography holds. It’s a powerful medium to shed light on issues and make the invisible visible
Rafael Heygster: I hope that through my work, I can help open spaces where, as the democratic part of society, we can discuss and reflect on how to deal with the rise of the right
Loïc Meuley: French cinema excels in addressing complex themes like identity, resilience, and social transformation with nuance and depth
Cases from 22 Ukrainian creative agencies spotlighted in the latest issue of international digest CrUAtivity
Innovative artist Ioana Mischie receives three top awards in European XR, adding Romania on the global map of transmedia art
For the love of Creativity: Romanian Young Lions 2025. Empowered by Raiffeisen Bank Romania and Ursus Breweries
Clémentine Segard: I don't think that brands need to speak necessarily to everyone. They need to unite around communities that recognize itself in the values that they carry
































